[dropcap style="font-size: 60px; color: #9b9b9b;"] W [/dropcap] e Need To Talk About Kevin is called Tilda Swinton’s Tour de Force. But let’s face it, Tilda Swinton’s Tour de Force is her face and her ability to look like the entire world has come down upon her when her toddler son won’t roll a ball back to her across the floor. This movie looks like it’s going to be an updated and more subtle version of The Omen….especially when we see trailers of the youngest version of Kevin staring sideways at his mother with an “other worldly” expression. In actuality, it’s more like Another Happy Day, where dysfunctional families thrash at each other in perhaps less violent, but similarly destructive ways. Strangely enough, Ezra Miller, who plays the eldest version of Kevin, is also in Another Happy Day, so maybe he has that stereotypical juvenile delinquent thing going on just like Tilda has the world’s a-crashing look.
This is an unusual role for John C. Reilly because his pudgy, beat-up face wants to be smiling and there is nothing he has to smile about in this role. He is the beleaguered and non-paranoid father of Kevin who has to suffer through felatio-interuptus, Tilda’s facial expressions, Tilda’s disdain for his McMansion and ultimately, Kevin’s love for archery. I’m not sure he was well cast here and all that believable as the unwitting husband and father, whose profession affords him the money for the McMansion, but not the means to furnish it.
I guess the undercurrent here is the Robin Hood theme from Kevin’s childhood bookshelf. Children take from the rich and give to……not so much the poor, but in this case the undeserving. Kevin decides that he has been so put upon by mom, that he will make her suffer an eternity of indignity, Halloween pranks and correctional facility body searches…..all because she had raucous, tomato-strewn sex one night with his father and was uncaring and undeserving of a child….wow…. that pretty much can be adjusted to fit most modern day parents, so where is the lesson here?
Ultimately, this movie was best described by my wife two thirds of the way in when she leaned into me and said….I really want this to end.
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Carnage Review
[dropcap style="font-size: 60px; color: #9b9b9b;"] R [/dropcap] oman Polanski may not be a man we choose to admire in some of his life choices, but his filmmaking is irrefutably superb. Carnage is the comedy film remake of Yasmina Reza’s God of Carnage. Polanski has turned Carnage into a wonderful and sophisticated NYC comedy in the best Neil Simon tradition. This is all about witty dialogue between two couples brought together by a playground incident between their two kids. But it is really about all the underlying issues facing two middle aged couples….in their marriages, in their jobs and in their search for meaning in life.
The cast is a great juxtaposition of diverse talent. Jody Foster and John C. Reilly are the hosts who blend the conservative working man and the liberal uber-PC writer/activist. They are contrasted with Kate Winslet and Christopher Waltz who are a high-strung financial advisor and a securities lawyer who represents big pharma in drug liability litigation. The couples vacillate from siding with one another to siding with each other based on gender, drinking, or political views. It is humorously written and well played by these 4 veteran actors.
I particularly enjoyed the life philosophy espoused in passing by all 4 cast members. As the interpersonal carnage rages on, we are forced to think hard about the way we treat others….particularly those we love. This is about nature versus grace as stated in The Tree of Life, except it’s set in very familiar every-day terms. In this case….as usual, the men represent nature in all it’s harsh and ugly forms and the women try to embody grace, but between Winslet’s nausea and Foster’s neck-veined hysteria, neither show much grace.
Once again, life and art devolve to Darwinian principles just as in the hedge fund world. Survival of the fittest….whether on the playground, across the coffee table or in the markets.
Go see this for a short, but intense laugh at our human condition.